
“The truth is not always easy to explain.”
Jessica Parks is a successful judge, a successful mother, a successful wife. However, at one point she realizes that everything she has been fighting against - her greatest moral and societal enemy, upon which she has built all her success, actually turns out to be a part of herself. This conflict is the foundation of Inter Alia - one of the most interesting new plays in the last few years. In a theatrical form, blending humorous stand-up storytelling and a courtroom-family thriller, Inter Alia tells us about the relativity of consent in inter-gender relationships, the fragility of modern ideologies, and the difficult balance between career and family for the modern individual.
Inter Alia - a legal term meaning “among other things.”
INTER ALIA
by Suzi Miller – the author of Prima Facie
Featuring: Radina Kǎrdzhilova, Plamen Dimov, Petar Kamenov / Andrey Trifonov
Director: Chris Sharkov
Scenography and costumes: Nikola Toromanov
Music: Emiliyan Gatzov-Elbi
Translation: Radoslav Petkashev
Design: Teodora Simova
Poster photographer: Pavel Chervenko
Producer: Baza H
Distribution and advertising: Artvent
Duration: 90 minutes
Inter Alia arrives in Bulgaria with formidable pedigree. Suzie Miller’s newest legal drama premiered at London’s National Theatre in 2025, transferred to the West End, and earned Rosamund Pike the 2026 Olivier Award for Best Actress. The production was captured by National Theatre Live for cinemas and later added to the National Theatre’s streaming library, underscoring just how quickly the play sparked an international conversation.
Miller writes with the authority of a former lawyer, and audiences who know her breakout hit Prima Facie will recognise the same clear-eyed scrutiny of how power, gender and the law collide. That earlier play won the 2023 Olivier Award for Best New Play and Best Actress for Jodie Comer before moving to Broadway, and Inter Alia pushes the inquiry further by placing a judge at the centre of an ethical storm.
What distinguishes this Bulgarian staging is the sensibility of director Chris Sharkov, a leading voice on the contemporary scene whose work at major Sofia institutions has consistently favoured bold dramaturgy and actor-centred storytelling. He collaborates here with scenic and costume designer Nikola Toromanov, a multi‑Askeer‑winning artist known for precise visual worlds that reveal character fault lines, and with composer Emiliyan Gatzov‑Elbi, whose atmospheric scores for theatres across the country heighten psychological tension without drowning out the text. Their combined approach keeps the play’s gears visible: the quick pivots between intimate confession, razor‑edged legal sparring and the uneasy silence of a family dinner that suddenly feels like a witness stand.
Expect a performance language that moves fast and cuts close to the bone. One minute you’ll laugh at a sharply observed aside; the next, a single question lands like evidence. The script’s use of legal terminology is not window‑dressing—it shapes the dramaturgy, testing how words such as “credibility,” “intention” or “consent” mutate when spoken at home rather than in court. Lighting and music work in tandem to shift you between those arenas before you’ve quite caught your breath.
Inter Alia is not only topical; it’s dramatically intricate, asking audiences to weigh competing truths without the comfort of a final verdict. Stay for the after‑show chatter—this is the kind of play that follows you home, where, among other things, the toughest deliberations often begin.
Base X
City of Sofia, Gen. Parensov St. 6