
If you wake up on Sunday after Friday, the party must have been epic. No one knows this better than Filip Bukov, Pavel Ivanov, Hristo Padev, Stoyan Doychev and Skiller, for whom „Friday Night“ flows directly into „Sunday Morning“. The new original production once again brings together the four actors with the beatbox master in the sequel to the comedy dedicated to the longed-for Friday night. The five cleverly skip Saturday and move into the calm waters of Sunday. And nothing can disturb the carefree course of their rest, except… that mysterious finale of Friday night that left disturbing marks. Having sown the seed of doubt, it cracks the dream of tranquility on the day off and turns Sunday into a minefield of shameful memories and speculation. The actors once again step into different roles that recreate comical episodes linking the experiences of Friday night with the Sunday awakening. And they try to answer a series of questions. When does Sunday morning begin? With the last cocktail and the final blackout on Friday? Or with the first sounds of a drill that forcibly burrow into the brain? Why do we skip Saturday afternoon and do we have any chance of experiencing it at all? Not if the party was truly good.
About the team and what’s new
“Nedelq Sutrin” reunites four quick-change comic actors—Filip Bukov, Pavel Ivanov, Hristo Padev and Stoyan Doychev—with the vocal wizard Alexander Deyanov – Skiller, whose live beatbox becomes the show’s soundtrack and foley in real time. Skiller is widely known for winning the Beatbox Battle World Championship in Berlin in 2012, and here he shifts from basslines to alarm clocks to club echoes faster than the lights can follow. The production is directed by Ivaylo Nenov, with a fresh text by Vanya Georgieva, set design by Mirela Vasileva and choreography by Alexander Mandzhukov—an inventive crew that leans into physical comedy, rhythmic timing and cinematic cuts on a bare stage.
Award-winning momentum
The comedy was distinguished with the Grand Prize at the Second National Festival of Comedy Performances “Chudoto” in Pavel Banya (March 2025). That nod speaks to its blend of tight ensemble work and playful improvisation: scenes pivot mid-breath, callbacks snap into place, and the audience becomes a co-conspirator in piecing together the night-that-may-or-may-not-have-happened.
How it plays
Rather than a single storyline, the show unfolds as a fast sequence of interlocking episodes. Expect abrupt role swaps, visual gags, and micro-sketches that keep returning with new clues. The humor lands close to home—friendships tested by “mission reports,” phones full of evidence, neighbors with impeccable timing—while Skiller’s vocal effects glue the mosaic together. It’s precise, but never precious; when the actors riff with the crowd, the score adapts on the spot.
Summer 2026 brings the production to open-air stages across Bulgaria, including Shumen on July 15 and Sofia on August 13 as part of the city’s summer program. The cast tours as a unit, preserving the rapid-fire rhythm that made the piece a word-of-mouth hit.
If you enjoyed the first chapter, circle back to the origin story with Petak vecher. For more sharp Bulgarian comedies led by strong ensembles, you might also like Otchayani sapruzi 2: Brakuvani or the character-driven farce Idiotyt zvyni vinagi tri pyti.
Come ready to connect the dots; the puzzle pieces click together with a laugh. And just when you think you’ve solved it, a beat drops and the story flips again.
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